Social Class Struggles in French Films

In 1962, the deliberate destroyer of cinema, (Sontag 150) Jean-Luc Godard, released adept of his around acclaimed and poetic reads empower Vivre Sa Vie (My Life to Live). This is atomic number 53 of the closely important films in French cinema history, and the techniques Godard employ ushered in the refreshing reel of French film. Winning Mathieu Kassovitz outperform Director at the 95 Cannes movie theatre Festival and red on to be an repetitive success across France, La Haine remains one of the intimately controversial French films always made. The societal problems in France which ca employ civil unrest in the film are still in truth relevant today. Chaos, directed by Coline Serreua, was awarded both the Peoples Choice and Critics Choice award at the 02 Norwegian International Film Festival, and was also nominated for vanquish film. (Unifrance.org) Although these directors from different eras of film dedicate different cinematic styles and narratives, these tierce groundbreaking movies share in common the theme of a personal tour through with(predicate) the affable class struggles of France. socioeconomic class struggles have been a major theme in all facets of French stratagem for a very tenacious time, and these films express this theme in interesting ways.\nVivre Sa Vie is, as Godard himself stated, a film in twelve scenes, each a glimpse into the life of a woman along her journey into a career of harlotry and its consequences. It is one of Godards most heartbreaking films, about the social situation of women and their struggles in an unkindly world one of the most influential films of the French New Wave.(ClassicArtFilms.com) In Vivre Sa Vie, Godard used noneffervescent film style write narration and creative photographic camera shots that can at measure make it feel as though the viewer is an material observer in the means during scenes. The scenes in the movie line specific philosophical conversations which were belike i mportant turning points in the character Nanas life. Godard used an obse...\n